Anthony Asquith
Director · Writer · 1902–1968
Now showing 1
- Pygmalion 1938 · Director · Co-directed with Leslie Howard
Known for
- The Importance of Being Earnest 1952 · Director · Writer
- The Browning Version 1951 · Director
- The V.I.P.s 1963 · Director
Directing 36
- The Yellow Rolls-Royce 1964 · Director
- The V.I.P.s 1963 · Director
- Guns of Darkness 1962 · Director
- Two Living, One Dead 1961 · Director · Writer
- The Millionairess 1960 · Director
- Libel 1959 · Director
- The Doctor's Dilemma 1959 · Director
- Orders to Kill 1958 · Director
- Carrington V.C. 1954 · Director
- The Young Lovers 1954 · Director
- The Final Test 1953 · Director
- The Net 1953 · Director
- The Importance of Being Earnest 1952 · Director · Writer
- The Browning Version 1951 · Director
- The Woman in Question 1950 · Director
- The Winslow Boy 1948 · Director
- While the Sun Shines 1947 · Director
- The Way to the Stars 1945 · Director
- Fanny by Gaslight 1944 · Director
- The Demi-Paradise 1943 · Director
- We Dive at Dawn 1943 · Director
- Uncensored 1942 · Director
- Cottage to Let 1941 · Director
- Quiet Wedding 1941 · Director
- Freedom Radio 1941 · Director
- French Without Tears 1940 · Director
- Pygmalion 1938 · Director · Co-directed with Leslie Howard
- Moscow Nights 1934 · Director
- Unfinished Symphony 1934 · Director · Co-directed with 윌리 포스트
- The Lucky Number 1933 · Director · Writer
- Dance Pretty Lady 1931 · Director · Writer
- Tell England 1931 · Director · Writer · Co-directed with Geoffrey Barkas
- A Cottage on Dartmoor 1929 · Director · Writer
- The Runaway Princess 1929 · Director · Co-directed with Fritz Wendhausen
- Underground 1928 · Director · Writer
- Shooting Stars 1928 · Director · Writer · Co-directed with A.V. Bramble
Other writing credits 2
- Letting in the Sunshine 1933 · Writer
- Marry Me 1932 · Writer
